Of all the musicians evoked by Drunken Prayer mastermind Morgan Christopher Geer, the one who most mirrors the Portlander is perhaps Eels’ Mark Oliver. Not in style, per se, but in Geer’s deft hand in encompassing such a wide range of musical influences and executing them, one after another, in a genre-hopping, stream-of-consciousness flood. And on record, he does most of it himself. On last year’s Into The Missionfield, as with the rest of his body of work, Geer drifts between alt-country, psychedelia, jangle pop and Americana, with the compositions glued together by his uniquely blunt cadence.
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